— No more choppy pacing —

Manga Storyboard Script Template

Panel numbers, artwork, dialogue, and camera work all laid out in one row — break the images in your head into panel-by-panel shots and lock in the pacing before you ever draw.

Use this template online

A manga storyboard script is a single table that breaks out every panel's number, artwork, dialogue, and camera work. Beginners most often skip the storyboard and jump straight to finished art — then the pacing feels off, the dialogue won't fit in the panel, and redrawing costs a fortune. This template lets you run the pacing of a whole sequence at low cost before you draw, break the action into panel-by-panel shots, and adjust as you lay it out online.

Template preview

Manga storyboard script columns, with examples

Field Example
Panel number P12-3 (page 12, panel 3)
Scene description Su Wan glances back, her silver hair scattered by the night wind, the burning city gate behind her
Dialogue Su Wan (softly): "...Lu Chen, you have to stay alive."
Camera work / composition Low-angle close-up, negative space to the right, firelight cast from off-panel
Notes Emotional peak — blow this panel up to half a page; leave the next panel as transition breathing room

How to fill in this template

The storyboard is the skeleton of a manga. Plenty of beginners skip it and jump straight to finished art, only to hit the halfway mark and realize the pacing is off, the double-page climax lands in an awkward spot, and the dialogue won't fit in the panels — and redrawing costs far more than storyboarding first ever would. A storyboard table lets you run the pacing of the whole sequence at low cost before you pour effort into the art.

The panel number should pin down 'which page, which panel,' so you can control the rhythm of the page turns — a huge part of manga's payoff comes from the jolt at the moment you turn the page, so save your big reveals for the last panel of a right-hand page or a double-page spread. The scene description spells out in words what each panel shows: who, where, what action, what expression, and what's in the background.

Dialogue and camera work / composition are the heart of a storyboard. Write the dialogue right alongside the artwork, because its length directly determines how much room the panel needs. Under camera work / composition, jot down the angle (low, high, close-up, wide), the direction of the negative space, and the lighting — these are what translate the 'script' into 'images,' and they're the language you use to communicate with your artist if the work is split up.

The notes column is for emotional beats and special treatment — which panel gets blown up to half a page, where to leave transition breathing room, which panel is the emotional peak. Rough out the few key panels of a scene first, then fill in the dialogue and camera work panel by panel, and the rhythm of the whole sequence falls into place. An extra hour at the storyboard stage saves you ten at the drawing board.

Fill the template in four steps

1

Break into panels

Split the scene into individual panels, tag each with a panel number for its page and position, and pin down where the page turns land.

2

Write the scene description

Spell out what each panel shows — who's in it, where they are, what they're doing, their expression, and what's in the background.

3

Add dialogue and camera work

Fill in the dialogue and note the camera work and composition (angle, negative space, lighting), translating the script into images you can actually draw.

4

Note the emotional beats

Use the notes column to flag emotional peaks, oversized panels, transition breathing room, and other special treatment, locking in the rhythm of the whole sequence.

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Frequently asked questions

Is a storyboard script the same thing as a name (ネーム)?
Close, but not the same. A name is a drawn rough layout — its focus is visual composition. A storyboard script is the text version — its focus is making each panel's content, dialogue, and camera work explicit. The text version can be searched, revised, and handed to someone else.
How detailed should a storyboard be?
Detailed enough that the artist doesn't have to come back and ask. The two things most often missed are whose point of view a panel is from, and how much time passed since the previous panel. Leave those out and the finished art will feel off.
How many panels should go on a page?
Four to six is typical. To slow the pace, use fewer and larger panels; to speed it up, add panels. What actually matters isn't the number but avoiding more than one focal panel per page — readers won't know where to look.
What formatting matters when handing this to an artist?
Fixed panel numbering, dialogue in its own column, camera work and emotion written separately. Attach character reference sheets so nobody is drawing from memory.
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